Quote:
Originally Posted by
Dave Reid
β‘οΈ
The ronnie lane mobile without the Helios...
Having had extensive personal experience of using, maintaining, and customizing Helios boards...as in
- Installed the brand new Helios console in Berwick Street Studios in 1975 then maintained it and recorded on it until 1980
- Sessions on the Helios boards at Ramport ( The Who's studio..) Strawberry North ( 10cc studio).
- At The Skylight Suite in Wapping in London in the 1980's I re-designed the systems on the ex- Maison Rouge Helios to strip out the quad bussing, some unnecessary main monitoring buffer stages, and the way-beyond-horrendous Helios DIY Dolby A rack,+ installed a remix buss and got the track monitors on it and usable as extra inputs to the mix. Afterwards I was Chief Engineer there.
- Installed the ex-Strawberry North wraparound board ( now owned by Lenny Kravitz) into Eddie Mander's studio above his Camden Town garage in London in the 1990's and then maintained it and installed it into his Magic Pub studio in Stoke Newington and sometimes did sessions there (short professionally-filmed video of a jazz session there will be on the web soon...).
I have at least 750 professional recording sessions on Helios boards under my belt.
I sincerely apologise for spelling out all the above, but there are lots of guys out there who can talk the talk with Helios, and not many of us around who actually walked the walk.
Trust me, the build quality of Helios boards in terms of wiring and soldering is the absolute pits (NB I'm not talking here about the sonics... only the build quality!). IMHO it just doesn't get any worse.
As Chief Engineer of the reborn Ronnie Lane LMS, sentiment notwithstanding there was no way I could support us gambling with the risk of going there with a Helios in this day and age from a reliability perspective.
After much agonizing and deliberation we unanimously felt that in terms of a fantastic sounding board with better-than-impeccable build quality , and unimpeachable reliability factor, everything pointed to Cadac. As Cadac haven't made studio consoles for many years the ex- English National Theatre board was aquired, and we've modded the systems to turn it into a recording board, and given it 5.1 monitoring capability ( whilst recording...) for when a 5.1 monitoring system might be used.
The Cadac sounds fantastic in there. It rocks. I love it...so smooth, so musical, so... analogue... and the LMS is back with a vengeance!
In terms of nostalgia factor, of course it would have been great to have put a Helios back into the LMS...but for us it could never be a practical option.
Cheers,
Gwyn