The DeMedio console at Heider ...Crosby, Stills & Nash and CSN&Y Deja Vu (NOT API)!!! ...I repeat (NOT API) !!! ...and around '73 or '74, they switched to API. If you do the math, it's easy to figure out why I don't use API. HEE!
They used UREI cards although Frank had switched to APIs for his new consoles by 1972 and at that point the Heider consoles had been retrofitted with API equalizers. A lot of west coast APIs were retrofitted with Jensen transformers.
Ok, so far no one has been able to name anything good that has been done with APIs. Someone throw a fricking bone here, cause it's only reinforcing my belief that Neves are completely superior to APIs.
I offer this comment as I have now retired using this login for anything productive, and now have another one for meaningful dialog.
You are a total ******.
This is started as a reasonable thread, I've even though of starting myself, which albums most carry the sonic signature of a particular console...
You are once again a waste... this post is one of the stupidest things Ive read on this board.
Most Seattle stuff in Seattle If not ALL at these three or four studios 1. Bear Creek Studios TRIDENT TSM! Lots of Soundgarden! Bad Motor Finger & Singles 2. London Bridge Neve 80 series. 3.Soundhouse (Lots of 90,s Seattle) Trident 80B! 4. Bad Animals has always had some type of SSL and was usually used for alot of Mixing etc.....
Trident Trident Trident...................................!!!!!!!!!!!!!!!! I think everybody is on such a ****ing API Neve discrete kick they forget to use there ears.......
Actually there was an API in studio B at Bad Animals at that time that was used a lot on that record (Superunknown). Same one that Steve Mille did a lot of his hits on.
Princes Paisley Park API is all custom DeMedio and all of the Mic pres in that desk are DeMedio.
Only thing API I believe is the 550A eq and some graphic eq,s. The rest is ALL custom DeMedio.
Very cool looking desk! You can see it at the Paisley Park Virtual Tour.
Weren't the Demedio's largely based on API's design?
If you have the luxury of choosing between them, get to know their characteristics and pick the one that works for the project (which was the original intention of this thread).
I don't actually think it's project specific when it comes to desks. (other than size)
i was over at brett averill's house a time or two when he had a big api console there that he was restoring or tweaking or something. i believe it belonged to henley, and it seems to me that some of the eagles' stuff was cut using an api.
i've used an api console a few times. they're nice, but very spanky. not as lush as a neve, but good. i always seemed to use outboard 1073s and 1084 to cut, especially guitars and basses.
fwiw, the typical thiing is to use the api preamps on kick and snare. good for piano as well, now that i think about it.
Nice post friend. Yea.. That has been me as well lately. Kick, snare, on API. Cymbals on Tab preamps, Neves on overheads and room. I need to start using the Neves on the kick and see how that works out.
Thats how it is. Same with Neve ...there isn't a recording that knocks me out. On the other hand, Trident, V72/V76, ancient UA's ...I could name several fantastic sounding albums recorded with those.