The No.1 Website for Pro Audio
Pictures Of Mic'ed Up Drum Kits In The Studio
Old 4th June 2022 | Show parent
  #6151
Lives for gear
 
bleen's Avatar
Quote:
Originally Posted by andychamp ➡️
Beautiful room!
What's with that bench/partition in front of the kit?
Does it have any acoustical effect?
Apparently, when the room was built, they found there was a buildup of 100Hz at the lip of the raised area; the "bench" was added to fix the issue. Handy place to dump a bunch of stuff while loading in!
Old 5th June 2022 | Show parent
  #6152
Gear Guru
 
Drumsound's Avatar
 
🎧 20 years
Quote:
Originally Posted by bleen ➡️
Finally remembered to take photos again on a tracking session!

All drum mics went into the 8048 loaded with 1081s

Kick in: Beta91A
Kick out: Soyuz Bomblet
Snare top: m201
Snare bottom: M201
OHs: Bomblets
Hi-hat & Ride: KSM141
Toms: KSM32
Close rooms: m160 1" off the floor
Far rooms: Soundelux 251s
Might that be JW's drums?
Old 6th June 2022 | Show parent
  #6153
Lives for gear
 
bleen's Avatar
Quote:
Originally Posted by Drumsound ➡️
Might that be JW's drums?
Who dat?
Old 6th June 2022 | Show parent
  #6154
Gear Guru
 
Drumsound's Avatar
 
🎧 20 years
Quote:
Originally Posted by bleen ➡️
Who dat?
Joey Waronker
Old 6th June 2022 | Show parent
  #6155
Lives for gear
 
vernier's Avatar
 
3 Reviews written
🎧 15 years
Quote:
Originally Posted by thismercifulfate ➡️
I just spent 12 hours with a close friend who is a great pro session drummer recording drums for a music theater production. 15 page charts, great writing with lots of rhythmic curveballs.

The kit we used consisted of my Sakae 22x14 kick with no front head, my newly acquired Dunnett Classic Stainless Steel 14x6.5 single-tension 6-lug with 3mm single-flanged hoops, my 12x8 and 14x14 60’s Ludwig Club Datevtoms plus 16x16 70’d Ludwig Classic Maple floor tom. We used his cymbals which were 50/60’s Zildjian A’s and one Spizzichino 22” ride.

Kick - AKG D12E - Vintech x73i- CraneSong STC-8
SnTp/Bt - Unidyne III- Langevin AM16 - TubeTech PE 1C
Hats - Neuman KM84- Neve 33115
Toms - Vintage MD421’s - SSL console
OHS - Neumann U47’s - Avedis MA5 - Manley VariMu
Room - Neumann SM69fet - CraneSong Flamingo
Crotch - Coles 4038 - Vintech x73i- Urei 1176F
Nice!
Old 9th June 2022 | Show parent
  #6156
Lives for gear
 
bleen's Avatar
Quote:
Originally Posted by Drumsound ➡️
Joey Waronker
Oh, duh! No, it wasn't him, but I can totally see why you'd ask that given the setup.
Old 9th June 2022 | Show parent
  #6157
Gear Guru
 
Drumsound's Avatar
 
🎧 20 years
Quote:
Originally Posted by bleen ➡️
Oh, duh! No, it wasn't him, but I can totally see why you'd ask that given the setup.
Left handed, Istanbul cymbals...
Old 24th June 2022
  #6158
Lives for gear
 
rosewood123's Avatar
 
🎧 10 years
Drums at home! This is a surprisingly great room for drums despite the low ceilings. I think there's something about the drop ceilings being somewhat absorbent, but I'm not sure.

This was basically the drum setup, but I put the ribbon on the right in the picture flat like the one on the left and vertically in line with it once the hi hats and such were set up. Mics were positioned a little more "accurately" to where I wanted them once the drummer had his kit all set up and adjusted more.

SAE u47 - center overhead
NoHype LRMVs - one over the ride, one over the crash to make an equidistant triangle with the center u47
Soyuz 023 - kick
re20 - middle of kit just above the kick (positioned it higher than in this photo)
sm57s - snare top and bottom
sennheiser 421s - floor and rack toms
Vanguard v13 - front of kit mic

Result is huge and focused. NoHypes are insanely great and quality is well beyond their price. In the future, I would like to have a Soyuz 017 tube in the v13 position and AKG 414s on the toms, but the Senns do sound really nice there as is.
Attached Thumbnails
Pictures Of Mic'ed Up Drum Kits In The Studio-drums2.jpg  
Old 3 weeks ago | Show parent
  #6159
Gear Maniac
 
🎧 10 years
Quote:
Originally Posted by deedeeyeah ➡️
more than by the drum setup, i'm amazed by some drummer's cymbal setup: (typically) some metal drummers don't angle their crashes much/at all, some jazz drummers angle their ride almost vertically...
Flat cymbals that are parallel to the ground always perplexed me. The striking downward with the shoulder or tip, on the outward ring of cymbal will produce a different crash sound, its just not comfortable for <ME.

I use a high tom and floor tom for years and my ride cymbal actually sits in my bass drum mount and my high tom is on a snare. I have tried the to put my ride vertically(to enforce tip bounce) but it doesnt work for me.

I played in grindcore bands where im doing 64th note fills and I could never play with that much space between my high mounted toms. WE are all built differant though. Gene kruppas snare position orGene Hoglans ride position(and his stroke on left side) i feel contributes to his TOUCH but his sound is is also influenced.

@ Drumsound man I LOVE your theater set up, but wouldnt want to lug all that. Carl Palmer is amazing and had a beautiful set up. I was never ina prog band but if i was... more options the better. From a showmanship aspect a big kit makes sense, only if you use it. To ME use the kit and make it a behemoth percussion set up where all your tones and drum ideas can flourish. Hire a roadie too...or make the singer do it. All they carry is a mic...lol...
Old 3 weeks ago | Show parent
  #6160
Gear Guru
 
Drumsound's Avatar
 
🎧 20 years
Quote:
Originally Posted by Paistemage ➡️
Flat cymbals that are parallel to the ground always perplexed me. The striking downward with the shoulder or tip, on the outward ring of cymbal will produce a different crash sound, its just not comfortable for <ME.

I use a high tom and floor tom for years and my ride cymbal actually sits in my bass drum mount and my high tom is on a snare. I have tried the to put my ride vertically(to enforce tip bounce) but it doesnt work for me.

I played in grindcore bands where im doing 64th note fills and I could never play with that much space between my high mounted toms. WE are all built differant though. Gene kruppas snare position orGene Hoglans ride position(and his stroke on left side) i feel contributes to his TOUCH but his sound is is also influenced.

@ Drumsound man I LOVE your theater set up, but wouldnt want to lug all that. Carl Palmer is amazing and had a beautiful set up. I was never ina prog band but if i was... more options the better. From a showmanship aspect a big kit makes sense, only if you use it. To ME use the kit and make it a behemoth percussion set up where all your tones and drum ideas can flourish. Hire a roadie too...or make the singer do it. All they carry is a mic...lol...
I don't remember talking about that setup here. That was in high school, so it wasn't like I was lugging timpani and bells in a car and into a club. Stuff went from the band room to the auditorium, and I probably had people helping.
Old 3 weeks ago | Show parent
  #6161
Lives for gear
 
andersmv's Avatar
 
🎧 10 years
I’m working on a video review of my new Sugar Percussion 15x7 snare, here’s a frame from it. I decided not to do the close mic top/bottom thing on the snare, it can sound great but usually isn’t a very natural representation of the snare. I put my stereo Vanguard V44s out in front of the snare with both capsule facing forward. One was in omni and one in figure 8, it gave me some nice control between snap and body. Also put my old RCA PB90 next to it for a little more punch, it sounded really great!
Attached Thumbnails
Pictures Of Mic'ed Up Drum Kits In The Studio-c3d6c039-9b9e-401e-a2a3-43cfb802ad18.jpeg  
Old 3 weeks ago
  #6162
Gear Guru
 
Drumsound's Avatar
 
🎧 20 years
Coming to a GS thread near you...

sE X1ds on toms
Sterling AT31 on snare
M201 on Hats
MC012 on Overheads
TOMB ribbon knee mic
(not seen)
e602 II in BD
EV RE10 bottom SD
SR Boundry mics on room
Attached Thumbnails
Pictures Of Mic'ed Up Drum Kits In The Studio-drums-gs-project.jpg  
Old 3 weeks ago | Show parent
  #6163
Lives for gear
 
andersmv's Avatar
 
🎧 10 years
I want to hear those boundary mics sometime! I had some great results with some crown's in a room like that years ago.
Old 2 weeks ago | Show parent
  #6164
Lives for gear
 
andychamp's Avatar
 
1 Review written
🎧 15 years
Quote:
Originally Posted by andersmv ➡️
I want to hear those boundary mics sometime! I had some great results with some crown's in a room like that years ago.
I don‘t have any myself, but often simulate PZMs by putting some mics really close to the wall opposite the drums, practically touching it, spaced as widely as possible.
Last time I did this with a pair of 414XL-S (omni or cardioid, can‘t recall), fully cranked the highs and lows on the Studer 963 inputs. Incredible detail, punch and size. Could even have worked as the only drum tracks.
EV omnis (635a & RE50) without EQ worked nice, too, for tracks you‘d rather tuck in behind close mics.
Old 2 weeks ago | Show parent
  #6165
Gear Guru
 
1 Review written
🎧 5 years
the absence of early reflections sets the blm/pzm apart from other mics - i'm often using a schoeps blm3g (old large version) as part of my beloved equidistant l/C/r+kick drum mic setup - for ambis, i like them a bit less but of course it may work well (depending on room and further processing).
Old 2 weeks ago | Show parent
  #6166
Gear Guru
 
Drumsound's Avatar
 
🎧 20 years
Quote:
Originally Posted by andersmv ➡️
I want to hear those boundary mics sometime! I had some great results with some crown's in a room like that years ago.
These particular mics are a little bright, so I've been taking some high shelf off them in tracking. I've got them in an experimental position in front of the BD facing out on this particular tracking date. They are $35 so I bought the pair on a whim.
Old 2 weeks ago | Show parent
  #6167
Gear Head
 
Love this thread and have learned a lot from it! Can I ask for people that are laying down drums for a bunch of different songs/styles over the course of a day, what approach do you take to getting those different sounds from the same kit?
Do you set up a bunch of different micing approaches, record them all and choose at mixdown?
Use one mic setup and achieve the difference you need with damping, swapping snares and cymbals and processing after the fact?
Old 2 weeks ago | Show parent
  #6168
Lives for gear
Quote:
Originally Posted by Bugsmasher ➡️
Love this thread and have learned a lot from it! Can I ask for people that are laying down drums for a bunch of different songs/styles over the course of a day, what approach do you take to getting those different sounds from the same kit?
Do you set up a bunch of different micing approaches, record them all and choose at mixdown?
Use one mic setup and achieve the difference you need with damping, swapping snares and cymbals and processing after the fact?
this is a great question.

i can answer from. my perspective of tracking drums for probably 25 years now.

90% of the time i found that artists had mostly no clear vision for what the end result would be when we started tracking drums. the battle was always trying to cover my bases so that no matter what they wanted once more over dubs were laid down and the songs developed...i could cover it. so, to that end, on drum tracking dates i often recorded so many mics. stupid amounts.

and then later in the production and mix, i might use 1/4 or less of them in the actual mix depending on the song and other parts and desired vibe.

my standard setup for years was close mics on all the drums. top and bottom snare, toms were top and bottom using y cables with one side wired out of phase.

kick drum had one inside, then a large diaphragm usually a FET on the front head, then often i'd make a tunnel out of blankets and have another large mic a few feet directly in front of the kick drum.

then i'd do a mono overhead, usually a darker mic...coles, something tubey, and then a stereo pair of overheads usually something a little more open and airy sounding. then i'd always have a few mono kit mics. one over the kick pointing down at the beater head and bottom of the snare. one right in front of the kit maybe chest height to the drummer. a few random mono mics low near the floor or farther back in the room. a few stereo pair of room mics...one pair fairly close. one pair far back in the room. then maybe even a few more mono mics in a chamber or bathroom or hallway or in an adjacent room.

then i often had a mic under the drummers throne and if i had access to a 251 or something really nice, i'd put it behind the drummers head looking at the center of the kit. with the drummer head sort of blocking the hi hats.

all that was when i had mostly no idea what the final sound really needed to be.

when i was producing or had more control over the overall vibe. i'd use way way way less mics.

ideally as few as possible.

so many times a pair of coles or 160's and a mic near the kick drum. sometimes a 201 near the snare.

or a stereo AEA or R88 over the top of the kit and a FET condensor or coles out in front pointing down at the bass drum.

i have a ton of snares at my studio. always have. i'd always rather grab another snare than try to eq a sound to work. usually just swapping out for a different snare was faster and got the gig done quicker.

same with cymbals.

kick drum i'd always have blankets around to deaden if needed to shorten the decay or i'd often place another larger bass drum in front of the main bass drum if i needed a bigger sound or more length to the bass drum note.

and then..tape. so much tape. rolls and rolls of tape. always.
Old 2 weeks ago
  #6169
Lives for gear
 
andychamp's Avatar
 
1 Review written
🎧 15 years
These new pop-up ads, to quote Slipperman, suck major moose weenie with a throbbing purple vein!
Old 2 weeks ago | Show parent
  #6170
Lives for gear
 
andersmv's Avatar
 
🎧 10 years
Quote:
Originally Posted by andychamp ➡️
These new pop-up ads, to quote Slipperman, suck major moose weenie with a throbbing purple vein!
lol, agreed...
Old 2 weeks ago | Show parent
  #6171
Lives for gear
 
thismercifulfate's Avatar
 
2 Reviews written
🎧 10 years
Quote:
Originally Posted by Bugsmasher ➡️
Love this thread and have learned a lot from it! Can I ask for people that are laying down drums for a bunch of different songs/styles over the course of a day, what approach do you take to getting those different sounds from the same kit?
Do you set up a bunch of different micing approaches, record them all and choose at mixdown?
Use one mic setup and achieve the difference you need with damping, swapping snares and cymbals and processing after the fact?
For a situation like that I will almost always use the same mics and switch out any or every part of the kit. I have 4 kits, 13 snares and 30 cymbals, and that’s in addition to whatever the drummer brings or is lying around at a particular studio. I’ll mix and match; whatever suits the production. On those types of sessions I’ll have some extra mics set up, like multiple room mics, for options but I won’t swap out overhead mics or anything like that. I might switch the main kick mic, if for instance going from a ported to a non-ported kick drum, or swap a 57 with a d112 if I’m using one of my super deep low-tuned snares. I will also run the kick and snare top mics through a channel strip with EQ so I can adjust the tone when I change drums. Another thing I’ll have handy are dampening devices, like roots EQ dampening rings, snareweights, tea towels, etc… and half a dozen bass drum beaters. I’m not afraid to take the front head off a bass drum or the bottom heads from some toms if that sound is needed. And also, importantly, you’ll see me sitting behind the kit before every new track getting cut tuning the drums to perfection - by ear and feel, not to absolute pitches or with a drum dial or anything silly like that.
Old 2 weeks ago | Show parent
  #6172
Gear Guru
 
Drumsound's Avatar
 
🎧 20 years
Quote:
Originally Posted by Bugsmasher ➡️
Love this thread and have learned a lot from it! Can I ask for people that are laying down drums for a bunch of different songs/styles over the course of a day, what approach do you take to getting those different sounds from the same kit?
Do you set up a bunch of different micing approaches, record them all and choose at mixdown?
Use one mic setup and achieve the difference you need with damping, swapping snares and cymbals and processing after the fact?
I find some swap outs does the trick more often than not. I have a dozen snares, and a bunch of cymbals, and at times I might even swap toms. You can really make the whole set feel different by changing the snare and hats, for instance.
Old 2 weeks ago | Show parent
  #6173
Lives for gear
 
andersmv's Avatar
 
🎧 10 years
Here's my new Sugar Percussion 15x7 Cedar snare. I think 15's get a bad rep for being "niche". I'm loving it and will be using it as the main snare here...

Old 2 weeks ago | Show parent
  #6174
Lives for gear
Quote:
Originally Posted by andersmv ➡️
Here's my new Sugar Percussion 15x7 Cedar snare. I think 15's get a bad rep for being "niche". I'm loving it and will be using it as the main snare here...

sounds great, man.

jefferson makes some fantastic drums. i need to get him to make me one.

they do seem to have a unique voice to other drums. i'm always looking for that.
Old 2 weeks ago | Show parent
  #6175
Lives for gear
 
🎧 5 years
Quote:
Originally Posted by andersmv ➡️
Here's my new Sugar Percussion 15x7 Cedar snare. I think 15's get a bad rep for being "niche". I'm loving it and will be using it as the main snare here...

Really like that last tuning with the towel and the higher tuning.

Is that the v4 or v13 behind the drummers shoulder?
Old 2 weeks ago | Show parent
  #6176
Lives for gear
 
andersmv's Avatar
 
🎧 10 years
Quote:
Originally Posted by Ox Han ➡️
Really like that last tuning with the towel and the higher tuning.

Is that the v4 or v13 behind the drummers shoulder?
V4, you can see the other one to the right. It's just a low spaced pair dividing the kit in half sideways. I usually prefer that for spaced overheads.
Old 2 weeks ago | Show parent
  #6177
Lives for gear
 
andychamp's Avatar
 
1 Review written
🎧 15 years
Quote:
Originally Posted by andersmv ➡️
I think 15's get a bad rep for being "niche".
Yeah, most drummers who are used to 14“ find them weird.
But the 15x5 Ludwig Supralite is our most used snare when players don‘t use their own.
I like to think of it as an oversized piccolo.
Old 2 weeks ago | Show parent
  #6178
Here for the gear
 
sfmill's Avatar
I made some upgrades to my home studio.

Oriollo Bakar Spun Copper Drums: 22X14, 13X9, 16X14
Tama Mastercraft Bell Brass 14X6.5
UFIP Cymbals

Bass Drum 1: Electro-Voice RE20 with Earthworks KickPad KP1, Daking Mic-Pre IV, Daking FET III
Bass Drum 2: Shure Beta 91A, Grace Design M108
Bass Drum 3: Solomon LoFReQ Sub-Mic, Grace Design M108
Snare: Earthworks SR25, Daking Mic-Pre IV, Daking FET III
Toms Top & Bottom: Shure Beta 98H/C, Grace Design M108
Overheads: Earthworks SR25 (2x), Daking Mic-Pre IV
Room Stereo: Cascade Fat Head II with Lundahl Transformer (2x), Grace Design M108
Room Mono: Antelope Edge Solo (U87 Emulation)
Hi-Hat: Shure SM81, Daking Mic-Pre One

Interface: Antelope Discrete 8 Synergy Core
Attached Thumbnails
Pictures Of Mic'ed Up Drum Kits In The Studio-d81_3411-edit-2.jpg  
Old 1 week ago
  #6179
Lives for gear
other than tracking at my home, this is the 2nd session i've done in the ten years since i got sick.

starting a new record for my band, the strange based out of detroit.

we have done two sessions in st.louis at my best friends' studios.

this time around was at my buddy jacob's room on my old trident 80 desk. using mostly the desk preamps for the drums.

yamaha recording custom kit that belongs to another great friend. one of my favorite drum kits on the planet. i've recorded and used this one so many times in the past 25 years. my keplinger 7x14 snare and paiste 2002 big beat and signature cymbals.

kick drum had a telefunken m82 inside and a soundeluxe u195fet on the front head, trident 80 preamps. no eq. inside mic had distressor compressor.

snare drum had a beyer m201 with trident 80 preamp, no eq and distressor compressor

overheads were glyn johns setup with beyer m160 ribbons, trident 80 preamps, just rolled off bottom with desk eq.

rack tom was beyer m201 and floor tom was beyer m88 both into trident 80 desk. pulled out some low mid and rolled off bottom with trident eq.

mono room one was coles 4038 in front of the kit into the trident 80 no eq.

mono room two was neuman u89 farther out in the room. daking preamp. daking compressor.

stereo room was AEA R88mk2 into daking preamps

also had a lawson l47 setup for vocals that was often printed as a room mic.

and a m160 sort of peeking over the kick drum pointed at the snare side. that was trident desk with no eq and hitting an purple audio 1176
Attached Thumbnails
Pictures Of Mic'ed Up Drum Kits In The Studio-dsc01671.jpg   Pictures Of Mic'ed Up Drum Kits In The Studio-dsc01672.jpg   Pictures Of Mic'ed Up Drum Kits In The Studio-dsc01675.jpg   Pictures Of Mic'ed Up Drum Kits In The Studio-dsc01677.jpg   Pictures Of Mic'ed Up Drum Kits In The Studio-dsc01679.jpg  

Pictures Of Mic'ed Up Drum Kits In The Studio-dsc01651.jpg   Pictures Of Mic'ed Up Drum Kits In The Studio-dsc01650.jpg  
Old 1 week ago | Show parent
  #6180
Gear Maniac
 
JohnLRice's Avatar
Quote:
Originally Posted by Paistemage ➡️
@ Drumsound man I LOVE your theater set up, but wouldnt want to lug all that. Carl Palmer is amazing and had a beautiful set up. I was never ina prog band but if i was... more options the better. From a showmanship aspect a big kit makes sense, only if you use it. To ME use the kit and make it a behemoth percussion set up where all your tones and drum ideas can flourish. Hire a roadie too...or make the singer do it. All they carry is a mic...lol...
Quote:
Originally Posted by Drumsound ➡️
I don't remember talking about that setup here. That was in high school, so it wasn't like I was lugging timpani and bells in a car and into a club. Stuff went from the band room to the auditorium, and I probably had people helping.
Hey Paistemage, I think you might have been talking about my big Palmer-esque set I used when I was in a band called Theatre? I was responding to a post from Drumsound, and you might have not realized who was who in the post? Here's a link to the post:
Pictures Of Mic'ed Up Drum Kits In The Studio

If you were commenting on my set, thanks for the kind words! I did ensure that everything got used for pretty much every gig although some things were used sparsely like the gongs, thunder sheets, orchestra bells, and 28" triangle! Here's a flashy short little instrumental we did, I don't use everything in it but I think most toms, both snares and a majority of the cymbals?
📝 Reply

Similar Threads

Thread / Thread Starter Replies / Views Last Post
replies: 626 views: 179605
Avatar for chessparov2.0
chessparov2.0 1 week ago
replies: 1280 views: 311166
Avatar for Mikey Georges
Mikey Georges 3 days ago
replies: 38 views: 16500
Avatar for Ward Pike
Ward Pike 23rd December 2010
replies: 187 views: 21646
Avatar for andychamp
andychamp 6 days ago
Post Reply

Welcome to the Gearspace Pro Audio Community!

Registration benefits include:
  • The ability to reply to and create new discussions
  • Access to members-only giveaways & competitions
  • Interact with VIP industry experts in our guest Q&As
  • Access to members-only sub forum discussions
  • Access to members-only Chat Room
  • Get INSTANT ACCESS to the world's best private pro audio Classifieds for only USD $20/year
  • Promote your eBay auctions and Reverb.com listings for free
  • Remove this message!
You need an account to post a reply. Create a username and password below and an account will be created and your post entered.


 
 
Slide to join now Processing…

Forum Jump
Forum Jump