Quote:
Originally Posted by
Bubbakron
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I was just using Hard electronic music as an example to get my point accross. I actually do blues fusion, I just want modern music to not sound modern. I play through 1970 plexi and really old tube amps- pure analog effects and all. I have the feeling that "real " color will stand out dramatically in tyoday's market. The info I was looking for how subtle it is. How subtle is it??

Ok, I see your point. And I totally agree that a production with a "real analogue" sound (whatever that would exactly be) can stand out in today's market, as so many producers and studios have abandoned analogue technology.
However, a single Fairchild across a "digital" production will only get you so far, as it is just one (very expensive) tool among many others. Don't get me wrong, it's absolutely nice, but there are definitely other more affordable and more versatile options.
If you already have great instruments and amplifiers I would suggest to concentrate on room treatment, microphones and preamps (in that order) to make sure you are capturing nothing but GREAT signals. If you do so, you can get very far even if you will mix completely ITB. Get the things right at the source, then everything else will fall into place almost on its own.