Just got a pair. So far they sound great through a Great River and a NPNG (I bought both the 4038s and the NPNG from a comrade slut on the board here). I can't wait to try them as overheads with my Chandler TG2. Great mics!
Congrats .. i was part of a session (doing documentary work) at Cello Studios where the engineer put a Coles about 4 feet in front of kit at Rack Tom LEvel (kick was in a tunnel) and the other was next to the floor tom - just above and out about 2 feet .. that was it, except for Kick and Snare mics .. that was a really cool sounding recording .. i have used this technique many times .. love it .. semi-mixerman / Mr. Johns technique
i use mine for all percussion as well .. and bass amp (with a windscreen) about 6 feet away
Just got a pair. So far they sound great through a Great River and a NPNG (I bought both the 4038s and the NPNG from a comrade slut on the board here). I can't wait to try them as overheads with my Chandler TG2. Great mics!
Congrats .. i was part of a session (doing documentary work) at Cello Studios where the engineer put a Coles about 4 feet in front of kit at Rack Tom LEvel (kick was in a tunnel) and the other was next to the floor tom - just above and out about 2 feet .. that was it, except for Kick and Snare mics .. that was a really cool sounding recording .. i have used this technique many times .. love it .. semi-mixerman / Mr. Johns technique
unfortunately no pics .. i have no idea whatever happened with that Doc .. it was Charlotte Martin, greg Wells wife, but not at the time .. i can see the setup in my head though .. you do not really ned a pic to do it as each kit is different .. even if you set it up the same it would not be correct .. it's just a Template .. left handed drummer - REM touring guy i think .. this was in or around 2000 ..
I don’t mean to sound like a d*ckhead but how is this possible? The Coles microphone was designed in the 50s. Neve preamp were designed in the late 60s. Perhaps you mean on a spiritual level?
Maybe buy a twin Cloudlifter? I feel better with a Cloudlifter in front of my ribbon mic ... it means I can’t accidentally blow the ribbon
+1 I have the twin cloudlifter, and use it on all my ribbons and dynamics now, even on a neve with 76dB of gain, it still makes a big difference to clarity, and I always prefer it with the cloudlifter, preamp choice doesn't matter too much, microphone placement is far more important than preamp choice.