My interest was piqued after watching Ted Lasso. I would LOVE to try this on drums. Has anyone tried one in the studio on an instrument? Maybe I’ll rent one from Big Bird here in Nashville and report back.
If you have experience using one in a studio in a musical application, please spill the beans.
Thank you.
Thanks for responding.
The SM57 frequency response is 40-15k. Not a huge difference yet it’s the super star snare transducer.
Yeah, I could imagine it might be interesting on snare. Maybe even good.
When you said "drums", my thoughts went to overheads, and rolling off at 12k, I would be a bit worried. Not that those frequencies are still in my battered ears!
Quote:
I’m so curious.
I think you should give in to your curiosity. And also post some clips!
Yeah, I could imagine it might be interesting on snare. Maybe even good.
When you said "drums", my thoughts went to overheads, and rolling off at 12k, I would be a bit worried. Not that those frequencies are still in my battered ears!
I think you should give in to your curiosity. And also post some clips!
I think you’re right. Hopefully Blackbird has one to rent. I start a rock record next week. Hopefully I can procure one and report back with clips.
They don’t. I called. Not even Blackbird has a Coles 4104.
I think that's because it is not often considered a "studio" mic. There are a ton of "Broadcast" rental places in England that have them, no surprise there, but these two appear to be in California:
I had it for some time, it's pretty lofi, very low output, you have to basically touch it with your nose to have any low end on the voice, never liked it on anything so I let it go
I had it for some time, it's pretty lofi, very low output, you have to basically touch it with your nose to have any low end on the voice, never liked it on anything so I let it go
I guess that's what that little guard thing is for - for resting on your nose to ensure the proper distance
I always wondered how one would sound in a live or rehearsal situation as it was designed to cut out extraneous sounds and might be good to get rid of feedback.