Well it depends on what's coming, sequencer wise, but you might be right.
Regarding the point of para mode, there'd be two possible ways I guess to trigger this from the sequencer:
1. Simply sequence more than one simultaneous note using one or more tracks and have the synth engine implicitly do the work and spread the notes over the available OSCs.
2. Explicitly address the individual OSCs from within each sequencer track, e.g. one track driving a super saw sound, and another track driving a sine sound.
While I'd like to have option 1, here's hopes for option 2. And that's what I was hinting at in my previous post.